Over the last few months, with my colleague Malcolm McLaughlin, I've started a new research project on the history of the Great Yarmouth Hippodrome and circus at the seaside. Our first article, "Circus at the Seaside: Building the Great Yarmouth Hippodrome, 1903", has just been published open access in Coastal Studies & Society. Available here. Abstract below...
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| Sol Eytinge's illustration of the three spirits visiting Scrooge in Charles Dickens's A Christmas Carol, taken from the 1868 Ticknor and Fields American edition. |
Excited to say that my article on the tumultuous Transatlantic reception of Charles Dickens's A Christmas Carol, 1844-1870, has just been published open access in Comparative American Studies. You can read it for free here. Abstract below...
Many years in the making, my article on Walter Scott and the reading lives of nineteenth-century American children is out now in Nineteenth-Century Literature. Abstract below...
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| Solomon Eytinge, illustration for John Hay's "Jim Bludso" (1871) |
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| History Today, August 2011 |
My travel guide to New Orleans in 1858 is out today in this month's BBC History Magazine (June 2011). This was a fun piece to write, not least because it threw up some interesting research questions. Much of the material I had to hand because of Southern Queen, but it also caused me to have to think about some peculiar specifics.
AbstractOutlaw John A. Murrell, credited with the planning of a failed slave uprising in Mississippi in 1835, was a significant figure in antebellum popular culture. Previously unrecognized, however, is his use as a character on the antebellum stage. Proof of his employment in this role can be found in the Harvard Theatre Collection, home to a hitherto unidentified manuscript copy of a melodrama entitled ‘Murrell, the Pirate – A Play in Three Acts’. In this article, its creator is identified as Nathaniel Harrington Bannister, a significant pre-war actor-playwright. An exploration of its performance history reveals its significance in a variety of ways. It highlights the degree to which John Murrell was an adaptable and ambiguous antebellum villain. It helps to illuminate the life and career of Bannister and his contribution to the American stage. It provides new insights into the life and career of Charles Burke, another significant actor-playwright of the antebellum years who developed an important connection to ‘Murrell, the Pirate’. And because of Burke's association with the play, it also becomes plausible to place it as an important step on the road in the development of Joseph Jefferson III's production of ‘Rip Van Winkle’, one of the most successful and influential nineteenth century American plays.
My review essay, "Before the Deluge: Reading, Writing and Rebuilding New Orleans", has been published in the Fall 2009 edition of Material Culture: The Journal of the Pioneer American Society. You can take a look at the contents page here. And here's the abstract:Before the Deluge: Reading, Writing and Rebuilding New Orleans — A special comparative review of several books focusing on the city of New OrleansBy Thomas Ruys Smith, School of American Studies, University of East Anglia, UK
This review essay examines four recent books concerned with the history of New Orleans. Though their approaches and focuses vary – from nineteenth century memoir to historical geography to tourism studies – all four volumes offer a variety of insights into the development of the city. In particular, they offer readings of the city’s evolution that help to interpret the devastations of Hurricane Katrina in August 2005 and give a timely sense of perspective to the ongoing attempts to rebuild New Orleans.
My article on the John A. Murrell conspiracy and the Lynching of the Vicksburg gamblers on Independence Day, 1835, has now been officially published in the Mississippi Quarterly (59:1-2 (Winter-Spring 2006), 129-160).
